The Old Clock Makers, Were They Better
Craftsmen Than We Are Today ?
The thing about making a longcase clock completely from scratch is you have to acquire a lot
of skills, from engineering skills for making the movement, painting skills for the dial, and cabinet making
skills for making the case. So to make a longcase clock that was constructed in the style and looked like the
antique clocks I had seen in the antique shops and fairs, I would have to acquire the skills and techniques
the old clock makers had.
So started the long and arduous road of making my longcase clock or as it is
fondly known as a grandfather clock from the same name as the popular song, written by Henry Clay Work in
In the early period of this project, I like many other antique collectors and enthusiasts,
thought naively that the “clock makers” meaning the man that made the movement, did all this work. This is
true in some isolated cases possibly in rural areas, but most movement makers bought in the dials and cases
from men that specialized in that particular trade.
I had this picture in my mind of a far off time long ago where the pace of life was slower and morals and work
standards came before material gain and wealth, where craftsmen were craftsmen and worked away methodically in
their badly lit cold workshops.
Now I understand this to be totally wrong, tradesmen in the late
17th century and early
18th century had the same
problems we have today, they had to make a living, so the same business principles of cutting costs i.e. materials
and labor still applied.
This we can see in the construction of the cases, its very rare you find elaborate jointing in longcases clocks at
the most you might find a double tenon joint in the cross rails of the trunk front, or a mortise and tenon joint in
But on the whole cases were jointed with half-lap or even butt joints, backboards were put together using any wide
boards they had in the workshop, more often than not it would be pine. Don’t get me wrong the clock builders of
yesteryear were craftsmen but no more than the craftsmen of today, the difference is tooling, techniques and
Our furniture craftsmen of today are truly skilled, it takes knowledge and understanding to
set up and run the likes of a CNC router (computer numeric control) and know the correct tooth angle on a
circular saw blade when cutting MDF (medium density fiber board) to get the best cut without damaging the
blade or saw. This all became very clear to me when studying for a City and Guilds advanced furniture
Studying early furniture makers especially Chippendale
as we came into the mahogany period of 1735, this man Chippendale was a
businessman, an entrepreneur of his time.
He brought furniture to the middle classes, mass-producing and importing mahogany from South
America and Cuba. It’s said that he instructed Captains of the ships bringing the timber into England, to go
though Jamaica as Jamaica was a country in the commonwealth and therefore no tax was due on the timber. This
timber was made up in France by some of the best chair makers of the time and then shipped to England and
finished in Chippendale’s workshops in London.
The one thing Chippendale did do that significantly influenced the style of furniture and
therefore the clock cases of the period was to publish a catalogue of the patterns and styles of his work.
His new style was an infusion of three styles, the architectural Gothic style, and the much
fashionable style of the day Rocco, and the new imported style which was creating much excitement at
the time the Chinese Style.
All three came together in one style and in one publication; this meant that for the first time in history
furniture makers could offer a modern and fashionable style of uniformity across England and Europe.
Other furniture makers influenced style of the late 1700s, men like Hepplewhite, although much
in the style of Chippendale, Sheraton with his inlays and stringing, fluted columns and Corinthian caps (Egyptian
style), and the Adam Brothers. All influencing the style of the period and so attributing to the way furniture
makers made and finished the clock cases of their time.
I believe Chippendale was a craftsman, but if he was here today I’m sure he would be using overhead routers,
chipboard, and be spraying with synthetic finishes. There are some clock patterns in Chippendales publications if
they were ever made I don’t know. I’ve never seen anything like them as they are very elaborate but saying that I
bet somebody has had a go.
I mention this because trying to make a clock case in the traditional way using traditional methods and
construction gave me my first big problem, this is the same problem furniture makers and clock case makers fight
with today. That is the problem with timber stability when using wide boards of hard wood.
Barry Share is the proprietor of Riversdale Clocks.
He and his son Matthew have been making bespoke cases for longcase clocks
since 1986 and are both holders of advanced furniture qualifications...
“Making A Case For A Longcase Clock”
a must read for any one making a case to house an antique movement and dial. http://www.riversdaleclocks.com/casemaking/
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